Mr. Tagi’s room
Research project & Solo exhibition “supervision/desport”
2013–2014
Mr. Tagi’s room
Research project & Solo exhibition “supervision/desport”
2013–2014
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Frequently visited
国立新美術館にて『漆黒能』 Phantosia (Shikkoku (EN: pitchdarkness)-noh) was held at The National Art Center, Tokyo.
青森県立美術館 企画展「青森EARTH2019 いのち耕す場所」（終了）図録販売 Aomori Museum of Art, Aomori Earth2019: Agrotopia–When Life Becomes Art Through Local Agriculture.
NHK 総合テレビ「探検!バクモン」でザ・ユージーン・スタジオが特集 Introduced in a TV program of NHK (national broadcasting).
資生堂ギャラリーでの個展『 1/2 Century later. 』 が終了しました。 THE EUGENE Studio Exhibition “1/2 Century later.” at Shiseido gallery is over.
Series Description
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Series of White Painting
THE EUGENE Studio’s White Painting series […] transforming the canvases into nomadic shrines to love and memory….
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White Painting series returns the monochrome to its iconic if uncertain place between a portal and a thing. THE EUGENE Studio’s White Painting series […] transforming the canvases into nomadic shrines to love and memory….
White Painting series returns the monochrome to its iconic if uncertain place between a portal and a thing. By David Geers (an art critic who contributes his writing to October and among other places)
in Passion in Monochrome By David Geers (an art critic who contributes his writing to October and among other places)
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Mr. Tagi’s room and dream #four-handed
object : steel, wood, oil on wood, brass, glass
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video : 6 channel video projection consisting of performance recordings(15min 15sec.)
installation view of "de-sport: The Deconstruction and Reconstruction of Sports through Art” object : steel, wood, oil on wood, brass, glass
video : 6 channel video projection consisting of performance recordings(15min 15sec.)
installation view of "de-sport: The Deconstruction and Reconstruction of Sports through Art” 金沢21世紀美術館 Organized by 21st Century Museum of Contemporary Art, Kanazawa -
Beyond good and evil, make way toward the wasteland.
Beyond good and evil, make way toward the wasteland.
The work reproduced a pure white room in the final scenes of Stanley Kubrick’s 1968 film “2001: A Space Odyssey” and made it go through the process of destruction. Within a large glass case are dust-covered chairs, a bed, cabinets, chipped marble pillars, oil painting, and other weathered items which appear to be from an old forgotten room. The work reproduced a pure white room in the final scenes of Stanley Kubrick’s 1968 film “2001: A Space Odyssey” and made it go through the process of destruction. Within a large glass case are dust-covered chairs, a bed, cabinets, chipped marble pillars, oil painting, and other weathered items which appear to be from an old forgotten room. Solo show “THE EUGENE Studio 1/2 Century later.”
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Shiseido Gallery Solo show “THE EUGENE Studio 1/2 Century later.”
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Phantosia (Shikkoku (EN: Pitch darkness-noh)
Phantosia (Shikkoku (EN: Pitch darkness-noh)
Noh performance held in a pitch-darkness. Phantosia is an installation in which “noh performance will be held in a pitch-darkness.”
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It was the first trial in thousands of years of noh’s history. Noh performance held in a pitch-darkness. Phantosia is an installation in which “noh performance will be held in a pitch-darkness.”
It was the first trial in thousands of years of noh’s history. Instruction, Installation. 2019
The National Art Center, Tokyo Instruction, Installation. 2019
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Agricultural Revolution 3.0
A research project on agriculture, biotechnology and a new garden city. This was held in multiple forms; research, installation and conversation.
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Columbia University and University of Cambridge cooperated in the research and farmers, Wired, OMA NY, and more intellectual participated in the conference. A research project on agriculture, biotechnology and a new garden city. This was held in multiple forms; research, installation and conversation.
Columbia University and University of Cambridge cooperated in the research and farmers, Wired, OMA NY, and more intellectual participated in the conference. Installation, Mixed media, Dimensions variable. 2016
Tsuruoka Art Forum Installation, Mixed media, Dimensions variable. 2016
Tsuruoka Art Forum
Books / Media
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「THE EUGENE Studio 1/2 Century later.」図録(大型版)が出版 THE EUGENE Studio’s catalog (large version) is published. 資生堂ギャラリーより図録が出版されています。Series of White Pianting, 善悪の荒野ほか作品図像と6本の論考を、図録と小型論考集(英・日)の三部構成で収録。 6 theses by an art critic who contributes his writing to October and
among other places etc. info → -
「THE EUGENE Studio 1/2 Century later.」図録(小型版)が出版 THE EUGENE Studio’s catalog (small version) will be published. 資生堂ギャラリーより、図版や論考が掲載された図録「THE EUGENE Studio 1/2 Century later.」小型版が刊行。 A catalog of “THE EUGENE Studio 1/2 Century later.” in which photography of artworks and essays are included will be published by Shiseido gallery. In advance to the publishing of large version, the small version will be on sale. info →
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青森EARTHいのち耕す場所 AOMORI EARTH2019: AGROTOPIA 青森県立美術館 企画展 「青森EARTH2019 いのち耕す場所」展に参加します。過去作 Agricultural Revolution3.0から、銅板の大型ドローイング作品と書籍が展示されます。 Executive Committee for Aomori EARTH2019 will hold “AGROTOPIA –WHEN LIFE BECOMES ART THROUGH LOCAL AGRICULTURE”. info →
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光文社新書より宮津大輔 著「アート×テクノロジーの時代」 Age of Art × Technology Creative Business changing the society 光文社新書より、宮津大輔 著「アート×テクノロジーの時代 社会を変革するクリエイティブ・ビジネス」が出版されました。私たちの近年の活動も掲載されています。是非ご一読下さい。 This book is featured from the viewpoint of art history and business science. Our recent projects are summarized. We hope you will enjoy this book. info →
Studio
THE EUGENE Studio is a contemporary art studio.
THE EUGENE Studioは日本のアーティストスタジオ。寒川裕人(Eugene Kangawa)は1989年生まれ。
過去にサーペンタイン・ギャラリー(ロンドン)「89+」(2014)、資生堂ギャラリー(東京)個展「THE EUGENE Studio 1/2 Century later.」(2017)、国立新美術館「漆黒能」(2019)、青森県立美術館「青森EARTH2019：いのち耕す場所」ほか、資生堂ギャラリー100周年記念展でのイギリスの建築家集団アッセンブルとの展示、アメリカ三大SF賞の小説家ケン・リュウとの共同執筆など。2017年に出版された『アート×テクノロジーの時代』(宮津大輔著、光文社新書)ではチームラボらとともに……
THE EUGENE Studio is a Japanese artist studio. Eugene Kangawa was born in 1989. While they are involved in two-dimensional works and installation works.
Their recent works include; “89+” at Serpentine Galleries(London), a solo exhibition “THE EUGENE Studio 1/2 Century later.” at Shiseido Gallery (Tokyo/2017), “Shikkoku-Noh” at The National Art Center, Tokyo(2019), “AGROTOPIA –WHEN LIFE BECOMES ART THROUGH LOCAL AGRICULTURE” at Aomori Museum of art (2019), collaboration with Sci-fi writer Ken Liu whose works have won all three major US science fiction awards, a special exhibition for the 100th anniversary of Shiseido Gallery with British architectural collective ASSEMBLE.
They receives invitations to R&D in fields such as biotechnology. This achievement was featured along with teamLab as one of the four main artists in Japan in the book “The Age of Art x Technology”(by Daisuke Miyatsu, Kobunsha) in 2017.