The Age of Art × Technology, a new book by art critic and collector Daisuke Miyatsu, has been published by Kobunsha Shinsho. The book features EUGENE STUDIO / Eugene Kangawa alongside teamLab and others as one of four creative organizations attracting international attention.

A new book by Daisuke Miyatsu, “The Age of Art × Technology,” has been published as part of the Kobunsha Shinsho series. EUGENE STUDIO is featured in Chapter 4, which traces its early activities and presents it, alongside teamLab and others, as one of four creative organizations attracting international attention. We invite you to read it.

Book Overview (Excerpt from the Original Text; Machine Translation from Japanese)

Today, artworks produced by four organizations—teamLab, Takram, Rhizomatiks, and THE EUGENE—are attracting significant attention around the world.
These new-generation organizations combine ideas distinctive to Japan with cutting-edge technology, bringing new values into public view. Why do they operate as organizations rather than as individuals? What are the sources of their creative thinking and advanced technical capabilities? And how do they challenge established conventions through their distinctive organizational structures, policies, and systems of evaluation?
Through representative works and projects, and from perspectives encompassing art history and business administration, this is the first book to explore the sources of strength behind these “cutting-edge art-and-technology organizations.”

Contents
Chapter 1 teamLab
Chapter 2 Takram Design Engineering
Chapter 3 Rhizomatiks
Chapter 4 Eugene Kangawa and THE EUGENE Studio
Final Chapter The Past, Present, and Future of Cutting-Edge Art
Notes
Afterword

Author Profile
Daisuke Miyatsu
Art collector and art critic. He has served as President of Yokohama University of Art and Design, a member of the Art Basel Global Patrons Council, a trustee of Mori Art Museum, and a visiting professor at Kyoto University of Art and Design. Since 1994, while pursuing a corporate career, he has continued to collect art and built his home in collaboration with artists. These activities have been widely featured in Japan and abroad. Born in Tokyo in 1963.
His publications include “The Economics of Contemporary Art” (Kobunsha Shinsho) and “Let’s Buy Contemporary Art!” (Shueisha Shinsho / Jincheng Press, China / Uni Books, Taiwan / ArtBooks, Korea), among others.

Kobunsha

The book is available from bookstores and other retailers. We invite you to read it.