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White Painting in Private Rooms in Roma

Agricultural Revolution 3.0
(Research project)

Outline

Small circulation/ecosystem, a small revolution
Space changing organically

A research project on agriculture, biotechnology and a new garden city.
This was held in multiple forms; research, installation and conversation.
Columbia University and University of Cambridge cooperated in the research and farmers, Wired, OMA NY, and more intellectual participated in the conference.
In the center of Shonai, Yamagata prefecture, with a long history of agriculture and a landscape of satoyama, we established a place growing organically.


Research
and
Drawing

Through interview to domestic and overseas laboratories and researchers and companies developing new materials, we designed the definition. Based on thorough research and collected actual materials, we drew a design.
Not in the macroscopic/comprehensive/destructive city model but in a sequence of small cycles at a low perspective, we try a new model of revolution.


Living
Research

Space changing organically

The transforming space
We established a space organically changing correspondingly to research.
In this installation, furniture, clothe, lamp, food, materials which grow during session, and open sourced small agricultural machine were showcased as if it is from theatre or cinema. This work gave the visitors physical experience to travel around the thoughts.


Living
Research
Conversation

 

We held conference at the transformed installation space. Local farmers and various guests from Spiber Inc. which locates in Tsuruoka City and develops recombinant protein materials, OMA NY, Wired, 21st Century Museum of Contemporary Art, Kanazawa, and more discussed the possibilities of agricultural cities and the future direction in front of the local people.

 

 

 


Selected Q&A

Q. Where was it held?
A. It was held in Tsuruoka city, Yamagata prefecture in Tohoku (northeast) area in Japan. Tsuruoka art forum that was used as a venue is Kunst Halle used mainly to live in.

Q. Why is it “3.0”? / Can I see the research and interview?
A. You can see the details of the concept and text from here, and a part of the interview here.

Q. To what extent are you involved?
A. We conducted research, defined the conference, constructed the project (what to do in the conference) and decided details.

Q. What is described in the design drawings in the picture?
A. In this exhibition, the blueprint of the practices in the project was shown. In these drawings, the sceneries which are not quite different from now. In “Model Room”, a set of four drawings, a calm lifestyle and a room surrounded by clothes and furniture made from new materials were drawn with delicate lines. Most of the furniture and clothes drawn here are made from the new materials we actually found through our research. In the drawings, we can also see olives which were important as an oil crop from ancient times, rubber trees regarded as a new material for Europeans after processing, as well as motifs on agricultural myths.
These show a peaceful future different from technology dystopia. The "model" minutely carved on a copper plate rises faintly behind the reflection of copper.


More Question
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Private rooms

In a house, a White Painting for a family. In a private house in Italy.


“As a minimal architecture
White Painting series has kisses impressed by sometimes more than 100 peoples and is conducted in various regions/places. Although these works have multiple positions, there is a major viewpoint that it is “the painting in society/cycle”.

Icons in a network / cycle
Icon, in which Crist, the Holy Mother and others are depicted, and paintings were surely in a cycle of lives and society once. The difference of this series from the icons (the actions and format are actually similar) is that;
・Nothing is depicted
・Like an icon, if an image appears in the background of the equipment when people face to it, it is not God but other individual people.
We found a new possibility of a two-dimensional work working as hardware/platforms due to a lack of an image.”

Detail

Series of White Painting

 


Photography: Cristina Bagnara